What of the world in my head right now?
What of the ability and struggle to arrange and rearrange words to imitate and represent things no word was ever born from? What of the tangled mess that is any one thought, tied up in everything else dwelling in mind, body and heart?
--However, A paragraph composed entirely of questions is not fun to read, no matter whether or not if I intend to answer them--
But the thought, the idea, floaty as it may be, --flighty as my writing is-- but the knotted thread and pathway of every concept, including god. The inability to vilify or angelicize anything altogether or entirely. This, in my mind, at least, makes it difficult to communicate effectively or confidently. Or even, I suppose, to make decisions.
Catching yourself in your ego-trapping, then writing that sentence and kind of mentally tripping. A shrug of shoulders and we move on, not to take anyone entirely at any one thing said.
What is life going to be like? Every year learning you knew nothing? Continually afraid, but watching for the day fear no longer comes knocking, but perhaps afraid even of that moment? (I'm really not as paralyzed by fear as I sound sometimes, I write more of my fear than of my courage.)
Look at us, finding ourselves every where. Resolving and falling and resolving again, self-conscious. Wondering if there is a place for our voice, flawed and inarticulate, though still beautiful, amongst all of those other voices, similar or not.
I sit here and pick myself apart, lay it all out in the air around me, suspended in reds and purples and whites. Constructing a world around myself, hopefully, but still not finding it altogether to my liking, and at the same time, feeling overwhelmed by what I perceive as the "outside world". Being terribly afraid of a god separate from me who would direct me where I don't want to go, though I say god is everywhere, in everyone, including at the heart of me.
I cannot see everything, but I would say that god sees everything. Even as this lends me trust and some form of faith, it opens all sorts of new intimidating doors, and trust ebbs away.
Not knowing the future, not knowing what will happen, but trying so hard to figure out how. Looking for when, straining to open my eyes, to see things clearly, and then blinding myself from (repetitious use of the word, but whatever) fear of what may be. Trying to know but not knowing and cringing at the prospect and offering of knowledge.
I once heard tell of a poem comparing communication, friendship, and love to two people flashing each other back and forth, lifting and peeling away clothing experimentally, weighing the other person's reactions. Rather ingenious, I'd say.
But that begs the question; why not just be soul and heart and personality-naked from the get go? Honestly though, even if we got past that particular affection, it still takes time to peel the skin away, for hearts to become familiar.
***
I've never attempted to articulate all of this before. None of it is concrete, all of it is a towering, flickering column or cylinder of fire. I have a thousand hands, and on each of them sits a small person, their own hands (more than just two) raised to eternity, mouths open and speaking in tongues on serene or animated faces. I don't know if anything will ever be black and white to me, even as I search so hard for the "right" path.
To break and comment for a moment: This page is not just white, it is flaming in so many colors, tangled with lush living leaves and bone and sinew. And back to the dance;
But bah, It is all in my own head, and who am I to influence the eyes and hearts of others? This is nothing but a page, with not even the barest trace of my fingerprints upon it.
What could it possibly retain of me? I suppose, however, that is the purpose of myth and story and metaphor; to put one's own personal stamp upon words strung together in infinite and impersonal combinations. What is the point of striving for that, though? Why should it matter?
I feel like I myself am fluid and blank, but I'm sure that too is untrue. Even as I so "modestly" back down from uniqueness, I am everywhere; I remember that in some way -on one of those hands- I am only here, therefore nowhere therefore both nothing and no less than everything. Monotone.
Have I lost you yet?
I am trying to leave a trail, but I don't know if it followable, for I created it and in creating it, I follow invisible trails of mind where I neglected to drop breadcrumb, ergo that does not mean it is in any way sensible to another person.
If I can be so many flavors, hypothetically so many people, does that mean I am nobody? Or a new kind of self? But that too is presumptuous. Guessing and theorizing and second-guessing and cross-referencing and doing it all far too shoddily in almost the only way I know how. But life is like cake, there is more than one way to bake cake, and more than one way to live life. There is an infinity of components and combinations to both. That, I suppose, is why I figure I can go about creating my life on my own, and it will, hopefully, be a better fit than the institutionalized, industrialized version of life. The one problem with this is I can see --if not all, a great many different possibilities, and it is difficult to drop my star-struck eyes back to the path ahead and choose, or just walk on.
Yes, this thing is a mess, but somehow I like it all the same.
What of the world in my head? What of it? This is the closest I've ever come (In one piece of writing, at one time of being) to mapping it all out.
What of the ability and struggle to arrange and rearrange words to imitate and represent things no word was ever born from? What of the tangled mess that is any one thought, tied up in everything else dwelling in mind, body and heart?
--However, A paragraph composed entirely of questions is not fun to read, no matter whether or not if I intend to answer them--
But the thought, the idea, floaty as it may be, --flighty as my writing is-- but the knotted thread and pathway of every concept, including god. The inability to vilify or angelicize anything altogether or entirely. This, in my mind, at least, makes it difficult to communicate effectively or confidently. Or even, I suppose, to make decisions.
Catching yourself in your ego-trapping, then writing that sentence and kind of mentally tripping. A shrug of shoulders and we move on, not to take anyone entirely at any one thing said.
What is life going to be like? Every year learning you knew nothing? Continually afraid, but watching for the day fear no longer comes knocking, but perhaps afraid even of that moment? (I'm really not as paralyzed by fear as I sound sometimes, I write more of my fear than of my courage.)
Look at us, finding ourselves every where. Resolving and falling and resolving again, self-conscious. Wondering if there is a place for our voice, flawed and inarticulate, though still beautiful, amongst all of those other voices, similar or not.
I sit here and pick myself apart, lay it all out in the air around me, suspended in reds and purples and whites. Constructing a world around myself, hopefully, but still not finding it altogether to my liking, and at the same time, feeling overwhelmed by what I perceive as the "outside world". Being terribly afraid of a god separate from me who would direct me where I don't want to go, though I say god is everywhere, in everyone, including at the heart of me.
I cannot see everything, but I would say that god sees everything. Even as this lends me trust and some form of faith, it opens all sorts of new intimidating doors, and trust ebbs away.
Not knowing the future, not knowing what will happen, but trying so hard to figure out how. Looking for when, straining to open my eyes, to see things clearly, and then blinding myself from (repetitious use of the word, but whatever) fear of what may be. Trying to know but not knowing and cringing at the prospect and offering of knowledge.
I once heard tell of a poem comparing communication, friendship, and love to two people flashing each other back and forth, lifting and peeling away clothing experimentally, weighing the other person's reactions. Rather ingenious, I'd say.
But that begs the question; why not just be soul and heart and personality-naked from the get go? Honestly though, even if we got past that particular affection, it still takes time to peel the skin away, for hearts to become familiar.
***
I've never attempted to articulate all of this before. None of it is concrete, all of it is a towering, flickering column or cylinder of fire. I have a thousand hands, and on each of them sits a small person, their own hands (more than just two) raised to eternity, mouths open and speaking in tongues on serene or animated faces. I don't know if anything will ever be black and white to me, even as I search so hard for the "right" path.
To break and comment for a moment: This page is not just white, it is flaming in so many colors, tangled with lush living leaves and bone and sinew. And back to the dance;
But bah, It is all in my own head, and who am I to influence the eyes and hearts of others? This is nothing but a page, with not even the barest trace of my fingerprints upon it.
What could it possibly retain of me? I suppose, however, that is the purpose of myth and story and metaphor; to put one's own personal stamp upon words strung together in infinite and impersonal combinations. What is the point of striving for that, though? Why should it matter?
I feel like I myself am fluid and blank, but I'm sure that too is untrue. Even as I so "modestly" back down from uniqueness, I am everywhere; I remember that in some way -on one of those hands- I am only here, therefore nowhere therefore both nothing and no less than everything. Monotone.
Have I lost you yet?
I am trying to leave a trail, but I don't know if it followable, for I created it and in creating it, I follow invisible trails of mind where I neglected to drop breadcrumb, ergo that does not mean it is in any way sensible to another person.
If I can be so many flavors, hypothetically so many people, does that mean I am nobody? Or a new kind of self? But that too is presumptuous. Guessing and theorizing and second-guessing and cross-referencing and doing it all far too shoddily in almost the only way I know how. But life is like cake, there is more than one way to bake cake, and more than one way to live life. There is an infinity of components and combinations to both. That, I suppose, is why I figure I can go about creating my life on my own, and it will, hopefully, be a better fit than the institutionalized, industrialized version of life. The one problem with this is I can see --if not all, a great many different possibilities, and it is difficult to drop my star-struck eyes back to the path ahead and choose, or just walk on.
Yes, this thing is a mess, but somehow I like it all the same.
What of the world in my head? What of it? This is the closest I've ever come (In one piece of writing, at one time of being) to mapping it all out.
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